Fame, Money, Success and Connection

August 20, 2010 § 7 Comments


I want to talk about a paradox, it’s one that most of us have experienced and it relates to money and success.

If you asked me if I thought commercial success was a true measurement of achievement, I’m pretty sure that, philosophically speaking, I’d say it wasn’t. In reality though, when I meet people who have done well in their fields, (commercially I mean), then I can’t help but feel more impressed than those who have not done so. I can do that because I’m a hypocrite. We all know that loads of people who get rich and famous are probably there more by luck than by measure. Often people who seem to be far better at what they do than other, more well known, people often go unrecognised. It’s just a fact of life. So what is it about commercial success and fame that a lot of us are so impressed by?

Perhaps one thing it particularly relates to is the “Pursuer, Distance Dynamic”, again this is one of those things that most of us have experienced. It’s basically the more someone wants us, the less we want them, and of course the more they don’t want us, the more we desire them. It’d kind of the first rule of love as well. The second rule of love is: When you’re single no one wants you and when you’re with someone people won’t leave you alone, but I digress.

So when it comes to fame there’s a connection between these principles. People who are desired by others may trigger our own desires for them, because a subconscious message tells us, “Well they must have something, if everyone else thinks so”. I mean if you were to see two restaurants next to each other and one was full and the other was empty, which one would you be most likely to enter? So in a way fame feeds on itself and that’s partly why it doesn’t always relate to ability.

One of the other ways we measure success is by how much others will pay for their services. I would happily pay £40 to see Leonard Cohen, it would be an experience well worth every penny for me. There may be other artists who are “almost” as good, (not likely), but they haven’t been in my head for as many years, and to me, seeing Leonard Cohen in real life would be like bringing my inner and external worlds together. Again my willingness to pay to see Leonard Cohen isn’t just about his ability it’s about our relationship. So what’s my point?

The thoughts that motivated me to write this article came about because I saw a video in which, Chris Cox , a marketing consultant, suggests that artists give their music away for free. His main argument is, that in a world of pirating and media companies that dominate our world, he believes, artists who want to sell their work without, or sometimes even with, corporate help are going to have a hard time doing so. Therefore he suggests that one option, is to give the music away, at least that way it’ll get heard and connections with people all around the world can be made.

The only thing is, in the past when I’ve paid for albums, if I didn’t like the music at first I would still struggle on because I had made a financial commitment to it. I wanted to see if by digging a little deeper there would be anything worthy of my hard earned cash, and more often than not there was. BUT if I was given a disk for free and didn’t like the first track I’d probably just put it aside and never come back to it. So by giving one’s music away there are two possible side-effects. The first is that people may feel you can’t be any good because you’re unable to sell your work and secondly they probably won’t even listen to it because they haven’t made any commitment to it. There is a third effect which is music that needs to be struggled with may be abandoned too early so both the artist and audience end up losing in the long run.

When Leonard Cohen is in concert and says to his audience: “I want to thank you friends, I know some of you have had to undergo financial and geographical struggles to be here tonight” the audience cheer. He touches them because both he and they realise there is a connection, a deep emotional one between them. Plato said that we recognise something inside others that is inside ourselves too and that’s what contributes to us becoming true friends with certain people. It’s also true that our closest friends are often very different from us, that it’s something in their essence that connects us.

When I write songs my music comes from a deep part of me, so as it moves around the world it touches some people and they then link up with me, for instance via my Facebook music page.  What ensues between us is a two way dynamic, well more so than the traditional musician and audience relationship. Perhaps as the Internet changes the nature of how music is distributed, the type of relationships between artists and audience may well change too,  becoming much more intimate. Ironically that’s probably quite like relationships that existed between many musicians and singers when society was more of a community. People would often gather to make music and sing together. Also the isolation caused by the relationship, or lack of it, between artist and stars, might be why so many stars have collapsed emotionally after they found their “dream”.  When TV and radio took over, the “stars” sang to an audience that didn’t really exist in any real way to them, and though the audiences might have waved and thrown their under garments at the TV, the person singing to them would have been blind and deaf to their antics. But now, now there’s the Internet and it’s becoming a two way process, so it’s going to be interesting to see what happens next!

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If Not Now Then When?

August 16, 2010 § 1 Comment


Apart from being a memorable saying “If Not Now Then When” was also the title of one of Tracey Chapman’s hits in 1988. These words have been echoing in my mind (lots of echoes there!). I watched my father die in front of me a few months ago and maybe it was that which reminded me that I too ought to get on, but get on with what? I have been doing my thing, you know all that creative stuff I do, for decades now, and still much of what I do remains insulated, so I thought it was time to put some of my work out there more. It’s not that what I do is particularly great, but it is something and some people get something from it.

I thought I’d put some adverts out on Facebook to see what would happen and so far I’ve been quite moved by the response. It’s not so much that people like my music that’s so touching but more a case that multiple connections with people all around the world are starting to take place. As each person links in to my page I normally have a look at what can be seen of their profile, and many of them have interesting links about themselves there. So in a way it’s been a two way process and I’m hoping this is the beginning of some interesting adventures.

Even today I was feeling quite angry with someone who had betrayed a deal we’d made. In fact I was having a bit of a Sopranos meets Tarrantino moment when I read one of my “new connections” poems page and was quite touched and calmed by the lines:

“This life taught me to forgive and forget,
Each of its trivial and unpaid debt.”
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It’s been an interesting ride this last week, and I hope to tell you more of my travels, and if not now, then when I can.

Simon Smith

You’re my first.

August 7, 2010 § Leave a comment


Apparently the first time is normally filled with anxiety, I’ve practised a bit before hand, by myself and with others, so I’m hoping it won’t be so bad, but then I can feel a slight tingling sensation. I’m certainly worried about my “performance”, just one wrong word, one wrong action and that could be the last we share together. Then there’s the size of my words, too long, too short, will they fit with your expectations. I’m not even sure how long I should, or am even able to, go on for. I could do with a sign, but it’s hard to see in the dark and the noise from the commotion in the rooms next door is almost deafening.

I can feel our excitement, our expectation and it’s driving me to distraction. I know it’s about flowing, about connection about reading the writing on the wall, between the lines and in your eyes.

Are we flowing together?

Are we there yet?